The construction of metaphors creates a three-dimensional depth and spatial effect. The vocal emotion is enhanced by the accompaniment, which gives it a sense of grandeur and solemnity, overflowing with a charm reminiscent of a painting.
He writes stories that allow the imagination to take hold. I used Whistler's "Rain and Sea" as the material and enveloped it in a sunset I had synthesized in my mind.
This coastal road must be a dreary place all day long. I wait for the sun to go down and the place to be filled with shadows, and I wonder what I would bring to light... Cheap self-pity, self-deception, bad habits and family-inflicted sentimentality... all in one. (Yeats says that the rhetorician deceives his neighbour, the sentimentalist deceives himself.)
If we were to understand the true nature of the sadness and pain that we have each brought with us, it might bring to light the loneliness that we cannot resolve in each other. (Baudelaire says that the crowd is the home of the lonely.)
As this scene fades into the distance as twilight sets in, it burns and decays, rising into the void along with the out-of-audibility hymn. Will this result in liberation from the shackles of the suffering of this world and a natural state of inaction?
Sunset Liberation League
Lyrics: Hiromu Akita Composer: Hiromu Akita
Magnificent painting
Bekomochi
The construction of metaphors creates a three-dimensional depth and spatial effect. The vocal emotion is enhanced by the accompaniment, which gives it a sense of grandeur and solemnity, overflowing with a charm reminiscent of a painting.
He writes stories that allow the imagination to take hold.
I used Whistler's "Rain and Sea" as the material and enveloped it in a sunset I had synthesized in my mind.
This coastal road must be a dreary place all day long. I wait for the sun to go down and the place to be filled with shadows, and I wonder what I would bring to light...
Cheap self-pity, self-deception, bad habits and family-inflicted sentimentality... all in one.
(Yeats says that the rhetorician deceives his neighbour, the sentimentalist deceives himself.)
If we were to understand the true nature of the sadness and pain that we have each brought with us, it might bring to light the loneliness that we cannot resolve in each other.
(Baudelaire says that the crowd is the home of the lonely.)
As this scene fades into the distance as twilight sets in, it burns and decays, rising into the void along with the out-of-audibility hymn.
Will this result in liberation from the shackles of the suffering of this world and a natural state of inaction?
back